Opera Warhorses

An appreciation and analysis of the ‘Standard Repertory’ of opera

Opera Warhorses - Teatro alla Scala - Milano

Entries from September 2008

Verdian Back to Basics: San Francisco’s Satisfying “Simon Boccanegra” - September 21, 2008

September 29th, 2008

San Francisco Opera General Director David Gockley assumed the leadership of the Bay Area’s operatic powerhouse at the beginning of 2006, and has done a creditable job of changing the direction of the company that had seemed to have disconnected itself from its traditional standards of excellence and from the interests and desires of its audiences.
Scrapping some of [...]

[Read more →]

Tags: 2005-2008: William's Reviews

Brilliant “Bonesetter’s Daughter” Dazzles at San Francisco Opera - September 20, 2008

September 25th, 2008

San Francisco Opera has demonstrated that a great opera company can present the mainstream treasures of the operatic repertory respectfully, yet simultaneously expand the boundaries of the operatic medium.
One year after the extraordinary world premiere of Philip Glass’ “Appomattox” in San Francisco, the company achieved an even greater success  with the world premiere of Stewart [...]

[Read more →]

Tags: 2005-2008: William's Reviews

Dissecting “The Fly”: the American Premiere of Shore’s Opera in L.A. - September 7, 2008

September 12th, 2008

Hollywood Does L. A. Opera - Part IV
Those who listen to the orchestral suites of Canadian Howard Shore’s soundtrack music culled from such cinema masterpieces as Peter Jackson’s Lord of the Rings trilogy or Martin Scorsese’s The Aviator will recognize an immensely talented composer of luscious music. His invitation to compose an opera commissioned by the Los Angeles [...]

[Read more →]

Tags: 2005-2008: William's Reviews