Opera Warhorses

An appreciation and analysis of the ‘Standard Repertory’ of opera

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Entries from March 2009

Achim Freyer’s Fascinating “Rheingold” Begins L. A. “Ring” – March 11, 2009

March 15th, 2009

The work of German artist Achim Freyer has been seen twice before at Los Angeles Opera, including a new production of Berlioz’ “Damnation of Faust” in 2003, which Los Angeles Opera co-sponsored with the Warsaw Opera. Influenced by surrealist artists and by ideas from the theater and opera of Japan and China, a Freyer production [...]

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Tags: 2005-2012: William's Reviews

Leah Partridge’s Splendid “Lakme” – Florida Grand Opera, Miami: February 27, 2009

March 10th, 2009

Opera Australia’s 2006 co-production of Delibes’ “Lakme” with the Opera de Montreal was imported by the Florida Grand Opera, providing a well-received vehicle for a reigning star of the Florida Grand Opera – coloratura soprano Leah Partridge. The production, seen in Sydney and Melbourne in 2006 and in Montreal in 2007 is comprised of a [...]

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Tags: 2005-2012: William's Reviews

Evelyn Pollock, Chad A. Johnson in Revelatory Florida Grand Opera “Lakme” – Miami, February 28, 2009

March 7th, 2009

For the third time in a 365 day period, I am reviewing a performance of Delibes’ fascinating opera, “Lakme”, which appears to be building its fan base for an eventual return to the standard opera repertory, much in the way that an opera by Delibes’ close friend, Georges Bizet, “The Pearl Fishers (Les Pecheurs de [...]

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Tags: 2005-2012: William's Reviews