The Los Angeles Opera, whose general director Placido Domingo is arguably the world’s most dominant personality in grand opera, has become a favorite destination for many of the world’s great artists. Domingo’s casting choices show a keen eye for the best talents in the world, including those who have not yet achieved widespread recognition. Even [...]
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An appreciation and analysis of the ‘Standard Repertory’ of opera
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Recent Entries
- Lindstrom, Grimsley, Glassman Gleam in Sensuous, Searing San Diego Opera “Salome” – January 28, 20121.29
- Reveling in Early Verdi: Relyea, Garcia, Vratogna, Palombi in Montanaro’s Uncut “Attila” – Seattle Opera, January 14, 20121.16
- Selected Pre-Mozartean Operatic Performances Scheduled for February-July, 20121.10
- Opera in Live Performance, Thoughts and Assessments at the End of 2011, Part Two1.3
- January and February 2012: Best Bet Live Opera Productions in L. A. and San Diego12.28
- Donizetti and Early Verdi in the American West, January-June, 201212.26
- San Francisco Opera’s Calendar Year 2011 – Another Year of High Caliber Performances12.20
- Blazing Batons with Arthur Bloomfield: Looking In On Robert Heger 1886-197812.14
- Opera in Live Performance, Thoughts and Assessments at the End of 2011, Part One12.10
- 50 Year Anniversaries: Bastianini’s “Nabucco”, with Tozzi, Cioni and Janis Martin – San Francisco Opera, October 23, 196112.6
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