Opera Warhorses

An appreciation and analysis of the ‘Standard Repertory’ of opera

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Entries from February 2010

Rising Stars: An Interview with Raymond Aceto, Part I

February 26th, 2010

[Note from William: Over the past several months, I have posted occasional interviews with opera singers and other artists, whose careers are obviously in their ascendancy, reflecting worldwide interest in securing their talents for future opera seasons. The current interview is with Raymond Aceto, the basso cantante graduate of the Metropolitan Opera Company's Lindemann Young [...]

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Tags: 2008-2012 William's Interviews

Bel Canto “Cosi fan Tutte” at Dallas Opera – February 18, 2010

February 24th, 2010

The Dallas Opera presented Mozart’s “Cosi fan Tutte” as their second offering (after Verdi’s “Otello” last fall) in their new Margot and Bill Winspear Opera House. They assembled an excellent cast in the beautiful production conceived by John Cox and his collaborating set and costume designer Robert Perdziola. The production, owned by the San Francisco Opera, [...]

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Tags: 2005-2012: William's Reviews

Fink, Valayre and Aceto in San Diego Opera’s Exceptional “Nabucco” – February 20, 2010

February 22nd, 2010

There is a tendency to think of the operas written by Verdi as a genre that differs from those of the early 19th century Italian operas of the “bel canto era“. During that period, according to opera lore, the singing was florid, pretty, but dramatically vapid. In the opera goers’ understanding of the history of [...]

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Tags: 2005-2012: William's Reviews