Opera Warhorses

An appreciation and analysis of the ‘Standard Repertory’ of opera

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Entries from January 2011

Lindstrom, Ventre, Jaho Brilliant in San Diego Opera’s Sensuous, Transcendent “Turandot” – January 29, 2011

January 31st, 2011

San Diego Opera’s 2011 season opened with a production of Puccini’s “Turandot”, utilizing David Hockney’s luxuriously colorful sets and Ian Falconer’s exotic costumes, with a strong cast, each of whom met the vocal demands of their role. These “Turandot” sets and costumes, first seen at Lyric Opera in Chicago, were a co-production between the Chicago [...]

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Tags: 2005-2012: William's Reviews

Opera in Live Performance, Thoughts and Assessments at the End of 2010, Part Three

January 29th, 2011

This web-post continues previous discussions about the expansion of opera’s standard repertory. (See Opera in Live Performance, Thoughts and Assessments at the End of 2010, Part One and Opera in Live Performance, Thoughts and Assessments at the End of 2010, Part Two.) Preparing for the Verdi Bicentennial We are just over 23 months from the [...]

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Tags: 2005-2012: William's Commentaries

Opera in Live Performance, Thoughts and Assessments at the End of 2010, Part Two

January 21st, 2011

This web-post continues previous discussions about the expansion of opera’s standard repertory. (See Opera in Live Performance, Thoughts and Assessments at the End of 2010, Part One.) Most observers of the contemporary state of opera performance will concede that Bizet’s “Carmen” is the most durable representative of the French repertory, and I have argued that [...]

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Tags: 2005-2012: William's Commentaries