Opera Warhorses

San Francisco Opera’s first complete performances of “Der Ring des Nibelungens” in a dozen years, continued with “Siegfried” in Francesca Zambello’s reconceptualization of Wagner’s tetralogy of operas, based on American images. In reflecting on Zambello’s concept, one of its striking features is portraying  the tetralogy’s major characters as “downwardly mobile” – exemplified in “Das Rheingold” [...]

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This is the fourth time I have reviewed Francesca Zambello’s reconceptualization of Wagner’s “Die Walkuere”, the second installment of the four opera “Ring of the Nibelungs”. The Wotan and Bruennhilde for three of the reviewed performances, respectively, were Mark Delavan and Nina Stemme. The Sieglinde for two of the performances was Anja Kampe, and I [...]

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When the ideas for Francesca Zambello’s American Ring, a 21st century relocation of Wagner’s four opera “Der Ring des Nibelungen” to North American shores, was first announced in mid-decade by the Washington National Opera and San Francisco Opera, a number of broad themes were envisioned that incorporated features of American history, environmentalism, and the role of [...]

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