Opera Warhorses

An appreciation and analysis of the ‘Standard Repertory’ of opera

Opera Warhorses random header image

Entries Tagged as '2005-2012: William’s Reviews'

Lindstrom, Grimsley, Glassman Gleam in Sensuous, Searing San Diego Opera “Salome” – January 28, 2012

January 29th, 2012

A year ago, American soprano Lise Lindstrom opened San Diego Opera’s 2011 season in the title role of Puccini’s “Turandot”, at opera’s end evoking a vociferous, standing ovation. This year, Lindstrom opened San Diego Opera’s 2012 season in the title role of Richard Strauss’ “Salome”, at opera’s end evoking a vociferous standing ovation. Salome and [...]

[Read more →]

Tags: 2005-2012: William's Reviews

Reveling in Early Verdi: Relyea, Garcia, Vratogna, Palombi in Montanaro’s Uncut “Attila” – Seattle Opera, January 14, 2012

January 16th, 2012

One year ago the Seattle Opera teamed Italian Conductor Carlo Montanaro with basso John Relyea in a new production of a relative rarity – Massenet’s “Don Quichotte” [See Masterful Massenet: John Relyea’s Don Quixote at Seattle Opera – February 26, 2011.] Montanaro has returned to Seattle as Relyea’s conductor as the young basso adds yet another [...]

[Read more →]

Tags: 2005-2012: William's Reviews

Louisiana Locale, Impressive Casting for Paul Groves’ First “Ballo” – New Orleans Opera, November 18, 2011

November 19th, 2011

The New Orleans Opera, performing in the spacious Mahalia Jackson Theater, presented Verdi’s “Un Ballo in Maschera”, utilizing G. Alan Ruznak’s sets that place the opera in mid-19th century New Orleans. The performance (the first of two) was a vehicle for native son Paul Groves’ role debut in the lead tenor part of Riccardo. Thoughts on [...]

[Read more →]

Tags: 2005-2012: William's Reviews