Opera Warhorses

An appreciation and analysis of the 'Standard Repertory' of opera

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Entries Tagged as 'Tom’s Reviews'

Beautiful Singing from a Silent Screen “Magic Flute” – Los Angeles Opera, February 24, 2016

February 25th, 2016

Barrie Kosky’s and Suzanne Andrade’s production of Mozart’s perennial favorite fantasy opera, last seen in 2013, proved so popular that it was quickly revived for a second showing with a new cast. In our previous review, the concept and origins of the production was described in great detail [Outrageously Inventive, Unceasingly Entertaining – Kosky/Andrade /Barritt’s Silent […]

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Review: Domingo Dominates Double Bill: Part 2 “I Pagliacci” – Los Angeles Opera, September 24, 2015

September 26th, 2015

Tom’s Review of Leoncavallo’s “I Pagliacci” continues his observations of the Los Angeles Opera’s double bill, the first offering of the company’s 2015-16 season. [See Review: Domingo Dominates Double Bill: Part 1 “Gianni Schicchi” – Los Angeles Opera, September 24, 2015.]   After an intermission which clearly was too short for Maestro Domingo (who had just completed singing the title […]

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Review: Domingo Dominates Double Bill: Part 1 “Gianni Schicchi” – Los Angeles Opera, September 24, 2015

September 25th, 2015

Los Angeles Opera launched its 30th Opera Season with two operatic treasures beautifully joined in an evening featuring one of the world’s true Superstars of Opera, Placido Domingo. He not only sang, but, later in the evening, he also conducted — in short, running the whole show! [Below: Gianni Schicchi (Placido Domingo, left) gestures as […]

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Tags: Tom's Reviews